Following my review, Monitor invested a considerable amount of money in sophisticated Comsol modeling software and a new anechoic chamber. The drive-units used in the Silver RS6 were designed in 2004. 'Why weren't these speakers around in my younger days, when I was trying to learn all these bass parts?' he lamented. As our multifaceted bass player, Paul Nunziata, who is also an audiophile, listened to rock, jazz, and high-energy jazz fusion through the RS6s, his jaw dropped at the clarity and speed of their reproduction of bass guitars. Despite the proliferation of affordable speakers of increasing quality I've heard since then, I remained particularly impressed by the Silver RS6's clarity and lack of coloration and the speed of its midbass, all of which continued to exceed the performance of any other affordable speaker I've heard.Īt one point, after the review was published, I invited my classic-rock band, Assisted Living, back to my house for a listening session following a gig. At the time, I felt this $999/pair, small-footprint floorstander produced the greatest sound quality per dollar of any speaker I'd heard. In March 2006 I wrote a very favorable review of Monitor Audio's Silver RS6 loudspeaker.

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